
15-05-2023 | Rainforest Archive
Finalising sound and moving image pieces for the degree show


01-05-2023 | Piezo/Contact microphone work
Experimenting with contact microphones to capture surfaces in the archive


27-03-23 | Emii Alrai’s Methods of Display
Exploring display methods for palm leaf vessels

13-03-2023 | Pearls, Ports and Poetry: Mapping The Arab Influence in Venice
A project proposal for the British Council’s Venice Fellowship Programme

27-02-2023 | Bloomburg New Contemporaries at South London Gallery
Exploring methods of display for sound works

20-02-2023 | Basket Weaving with Palm Leaves
Weaving as a gesture for non-traditional models of time

13-02-2023 | Zadie Xa: House Gods, Animal Guides and Five Ways 2 Forgiveness at Whitechapel Gallery
Exploring diasporic identities through Korean folklore and domestic spaces

06-02-2023 | Completing The Clay Family
Evolving methods of using contrasting clay colours

30-01-2023 | Windmill Walking and Quantum Listening
Rediscovering previously trodden paths; walking as artistic practice; continuing to document experiences of landscape

24-01-2023 | 'Rooted in Place' at Acrylicize
How land holds memory: charting ideas of migration, diaspora and identity - Dalia Al-Dujailii in conversation with Zakia Sewell and Marianne Keating
23-01-2023 | Road Tripping, Rainforest Trekking
Documenting a field trip to Dartmoor National Park and its temperate rainforests

16-01-2023 | Reading Materials
Which texts am I using to inform my writing and making practice?

09-01-2023 | Installation Visualisation
Sketching layout ideas for the installation of the degree show

12-12-2022 | The Body: Time, Movement and Improvisation in the work of Carolee Schneemann and SERAFINE1369
Ideas on making work with the body, and setting rules as a constructed boundary for performance

05-12-2022 | Left out in the cold
An audio/visual installation at The School of Art, Architecture and Design's Winter Exhibition

28-11-2022 | Display Methods: Grouping Objects
Barbara Hepworth's sculpture groupings and discovering Magdalena Abakanowicz's defiant take on textiles